Sunday, June 14, 2026

Box Office: “Crimes” Don’t Pay as Neon’s Body Horror Cronenberg Revival Makes Just $1.1 Mil

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The publicists at Neon and Cinetic did everything they could to keep me away from “Crimes of the Future.” I’m grateful to them now!

The David Cronenberg body horror surgery fest fetched just $1.1 million over four days. No one wanted to see it, and no one did. I think we’re all the better for it, too. Many people walked out in Cannes, and then walked out again here in the 773 theaters where it played here.

Cronenberg is a very fine filmmaker with two disparate personalities. One of them loves this unwatchable (for some) horror, the other made movies like “Eastern Promises” and “A History of Violence,” his best work. For film freaks, the horror genre works as something ironic. For people who just want to be entertained for two hours, “disgusting” is not welcome on the menu.

So “Crimes” is a write off for Neon. Maybe it will come in my Oscars DVD package in the winter. That way at last I can fast forward through the really grotesque stuff.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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