Tuesday, May 26, 2026

Box Office: “Top Gun” Will Cross $200 Million Today After 7 Days, “Downton Abbey” Building Audience

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Big news: tonight “Top Gun: Maverick” will cross the $200 million mark. It opened one week ago tonight. That’s just 7 days. Last night, the sequel to the mid 80s film made $14 million, mid week. There’s no sign of a slowdown. Still waiting for updates on international numbers…

“Downton Abbey: A New Era” is hitting $32 million tonight and could be at $40 million by Sunday. The audience is building slowly. I went back to see it on Sunday afternoon and the place was filled. It wasn’t just senior citizens, either. There were young people, not white, and they told me they’d become fans of the TV series. So “DA” cuts across everything.

Disney announced today that “Doctor Strange 2” will go to DisneyPlus on June 22nd. It will be 45 days and $900 million worldwide when that happens. So everyone’s happy, especially Benedict Cumberbatch, who didn’t have to wait for a great drama and an Oscar to make his career. He’s set for life. But it would be nice if he had those other things one day, too.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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