Monday, May 25, 2026

Nicholas Cage’s “Massive Talent” Proved Unbearable at Box Office with Lower Than Expected Crash

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I guess the hope for “The Unbearable Weight of Massive Talent” was it was going to be “Being Nicholas Cage” a la “Being John Malkovich.”

Alas, the massive weight proved unbearable for actual Nicholas Cage fans. The indie movie, released by Lions Gate, was looking for an $8 million start over the weekend. It fell quite short with just $7.1 million.

Cage is eccentric beyond the meaning of the word. His best work is long ago. He’s made dozens of B or C movies in the last few years, has had several wives, and many stories about financial peril. That’s his career since winning an Oscar decades ago for his portrayal of an alcoholic gambler in “Leaving Las Vegas.” He is trying to make a comeback, maybe. Another release, “Pig,” which I could not navigate, earned a recent career high of $3.8 million in limited release. It also brought Cage some nice reviews after a decade or more in the wilderness.

So the idea of spoofing him probably seemed like a good one. “Massive Talent” is a terrible title and one no one can remember or understand. Still, it’s managed to pull an 88 on Rotten Tomatoes. So that’s something. Our own Leah Sydney really liked it. But the film seems like it’s destined for streaming or VOD cult fan status.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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