Saturday, July 11, 2026

Kanye’s “Donda 2” Ineligible for the Charts Because It Only Comes on $200 Stem Player

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“Donda 2.” It’s out there, somewhere.

But Kanye West’s new album is ineligible to be counted on the charts. Any charts.

Billboard posted their reasons today: “Donda 2” is only available on Kanye’s $200 Stem Player. The player also includes the first “Donda” album and “Jesus is King.”

“Donda 2” is otherwise not available in any conventional form that is measured by Soundscan or MRC. It’s not on any streaming service and doesn’t exist as a download or CD.

The Stem Player is only available through its own website, so there are no independent sales for it anyway.

But Billboard says the release violates its album bundling rule. An album cannot be bundled with other things like a player or other albums.

“Donda 2” can be found pretty much all over the internet at this point, for free. So Kanye has basically wasted all the work he did on it. My guess is one day he’ll release a very expensive collector’s CD.

If you’ve bought a StemPlayer and want to tell me about it, please email me at showbiz411@gmail.com. I did see a young woman wearing a bright red Kanye Gap jacket Saturday afternoon in the theater district. She was so happy she had it. It was certainly, um, noticeable.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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