Thursday, May 21, 2026

Pop Fizz: Lil Nas X’s “Montero” Album is a Surprise Dud Following Controversial Hit Singles, Videos

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That old town road is looking mighty lonesome this morning.

Lil Nas X’s first official album, called “Montero” after his own first name, is a massive sales dud.

This comes as a surprise because Lil Nas had hits with the title track and “Industry Baby.” He made big splashes with gay-friendly videos. His overall demeanor is a cheery young guy who made a lot of money with his first single, “Old Town Road,” and then went over the top as a Little Richard for the 2021 crowd.

But singles and YouTube videos are one thing, albums are another. “Montero” has sold only 28,000 paid downloads. With streaming equivalent sales, he’s up to 228,000 total copies after two and a half weeks. That’s underwhelming indeed.

The singles are the story: “Industry Baby” has 1.1 million in sales, almost all from streaming. “Montero” the single and “That’s What I Want” come in at around 250,000 apiece.

Still, Lil Nas X has cemented his brand, and he’s certainly well known. Now he just has to straighten out how to proceed forward to keep his audience and not totally offend the mainstream.

 

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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