Thursday, May 21, 2026

No Time to Sell: Billie Eilish’s Morose James Bond Theme Hopes for Revival But Louis Armstrong Makes a Surprise Return in Film

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Back in February 2020, Billie Eilish released her morose James Bond theme, “No Time to Die.”

The movie then was scheduled for April 2020. It never happened.

The Eilish track didn’t do much. It had a brief run on the charts. Total sales of downloads were just 70,000 to this date. Including streaming, though, she’s 1.1 million in “sales.” Which sounds like a lot but isn’t.

The good news is Billie won a Grammy a year later, in January 2021, for music from a movie. But because the movie was never released, she wasn’t eligible for an Oscar nomination. This year she will be.

Now that “No Time to Die” is out in the UK and coming here next Friday, it’s possible the record will have a revival. In the movie, the song sits there like a wet fish, a limp handshake, a door mat.

The single is no “Live or Let Die” or “Goldfinger” or “Nobody Does it Better.” It has all the excitement of death, which might be the point. Hearing it you think maybe there IS time to die. Maybe that’s why the producers brought Hans Zimmer in write the score, which is very lively and lets us forget those first, sleep inducing moments.

The real theme song to “No Time to Die” plays over the end credits: Louis Armstrong’s “We Have All the Time in the World.” It’s so much more apt, and its a signal from the producers that they’ll be back with a new Bond series no matter what happened in this movie. It’s also a throwback to “On Her Majesty’s Secret Service,” which featured Diana Rigg. It was the last song Armstrong ever recorded. Talk about ‘haunting’– this track is the definition.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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