Friday, May 22, 2026

Box Office: Failure of “Tammy Faye” Follows Suit of All Small Movies This Fall Like “Flag Day,” “Blue Bayou”

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Movie box office for late summer and fall has not been kind to small, indie movies, that kind that need adults over the age of 30.

DOA, it seems, is “The Eyes of Tammy Faye,” which has made $853K in the last week at 450 theaters. Searchlight/Disney may increase the number of venues this weekend, but the party is over. Despite good reviews for star Jessica Chastain, the audience wasn’t interested.

But “Tammy Faye” wasn’t alone. Unless the film was a blockbuster sort of non film like Fast & Furious 9, or a Marvel movie like “Shang Chi,” the people who needed to come spend the bucks didn’t turn out for anything.

They weren’t motivated to see Sean Penn direct his daughter, Dylan, in “Flag Day.” The response to “Respect,” with Jennifer Hudson was $24 million all in on a $55 million film.

Focus Features has been particularly brave, releasing “Blue Bayou” and “The Card Counter” into a box office abyss. In the old days, those movies would have made lives in indie theaters and art houses. But their potential audiences have gotten used to watching Netflix, et al and not leaving the house. The result is minimal box office receipts.

So what will bring humans back to the theaters? MGM is hoping that the James Bond film, “No Time to Die,” will do the trick. They’ve sold a smattering of advanced tickets, waiting for reviews to break next week when the movie opens in London to kickstart a frenzy. You have to see a James Bond movie on a big screen. It’s no time to stay home!

 

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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