Friday, May 22, 2026

It’s Come to This: Latest Bruce Willis D Movie Sold to Fox’s Free Streaming Site Called Tubi

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Bruce Willis is in the middle of a run of D movies, unprecedented in film history. Dozens and dozens of shlock films made for video and countries and planets where no discernible language is necessary.

Today they announced a new one called “Corrective Measures,” which has been placed with a streaming service you’ve never heard of, called Tubi. It’s a free service owned by Fox Entertainment. Michael Rooker, who’s pretty good right now in “Suicide Squad,” will star. Bruce will lend his name and likeness and appear in a few scenes shot over the course of a day.

“Corrective Measures” will be seen by no one in 2022.

Since 2015 Bruce has “starred” in a dozen or so of these things, all produced by him and Stephen J. Eads. There is no thought to Bruce’s screen legacy, which has been dismantled by these loony tune movies. I guess they make some money from them, people in banana republics have no idea what’s going on but see Bruce’s bald pate and think they’re getting “Die Hard 17.”

Sad.

 

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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