Tuesday, April 23, 2024

Cannes: Early Reviews for Opening Film Starring Adam Driver, Marion Cotillard Cite Oral Sex Scene, “Bizarre,” “Joyless,” “Insubstantial,” “70 Seconds of Polite Applause”

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And so it begins.

Cannes 2021 opened with Leos Carax’s movie with music, by the cult group Sparks, called “Annette.”

Early reviews describe “Annette” as “bizarre” and “joyless.” Everyone is commenting on a scene in Adam Driver’s character performs oral sex on Marion Cotillard’s character while singing. That’s the highlight, the hook.

“Annette” will open in the US in August. Sounds like a lot of hype, something audacious, perfect to open the Cannes Film Festival. It’s getting everyone’s attention.

Scott Feinberg of the Hollywood Reporter: “Cannes opener ANNETTE is hella out-there… singing mid cunnilingus is the least of it… polite 70-second applause… onwards.” Feinberg added that there were five minutes of applause after the credits and the lights went up. That is considered a tepid response in Cannes.

David Rooney, Hollywood Reporter: ‘The insubstantial narrative can’t support the bold, operatic strokes of the storytelling…there’s also a nagging naiveté, even a silliness to the storytelling that kept bumping me out of the sluggish drama. ”

 read also: amFAR in Cannes Still Up to Their Old Tricks

Variety, on the music from Sparks:  Sondheim schmondheim. Instead of advancing the plot, they pick a groove and stick to it, like a broken record, recycling the same phrase over and over — “We love each other so much” or “You think I care what you think of me?” — until it becomes some kind of tantric mantra.”

Peter Bradshaw of The Guardian writes: “Annette is a forthright and declamatory and crazy spectacle, teetering over the cliff edge of its own nervous breakdown, demanding that we feel its pain, feel its pleasure and take it seriously. ”

A Twitter account called @ianamurray wrote: “i thought adam driver doing bo burnham-style stand up and having a horrifying robot baby with marion cotillard was weird but ANNETTE just kept outdoing itself. a true shitpost of a movie. don’t know if i like it yet but i respect the audacity”

Audacity is good.

Screen International writes: “An ungainly, frustrating affair… an audacious folly that comes across as grandiose and joyless.”

I do know that Cotillard exits halfway through the movie. She may have had the right idea.;

Keep refreshing…

Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman began his Showbiz411 column in April 2009 after 10 years with Fox News, where he created the Fox411 column. His movie reviews are carried by Rotten Tomatoes, and he is a member of both the movie and TV branches of the Critics Choice Awards. His articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. He is also the writer and co-producer of "Only the Strong Survive," a selection of the Cannes, Sundance, and Telluride Film festivals, directed by DA Pennebaker and Chris Hegedus.
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