Tuesday, May 19, 2026

Paul Simon Sells His Amazing Song Catalog of Hits to Sony Music Publishing for More than Bob Dylan? (Probably)

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The cashing out of legacy rock stars continues apace.

Paul Simon has sold his amazing, may I say incredible, song catalog to Sony Music Publishing. For more than Bob Dylan’s $300 million? I sure hope so.

You can’t stop listing Simon’s hits, secondary hits, and so on. From “The Sound of SIlence” and “Red Rubber Ball” at the beginning of his career, through five albums of Simon & Garfunkel classics like “Bridge over Troubled Water” — a gem in the crown — to “American Tune,” “Mother and Child Reunion.” “Graceland,” and four albums of great songs from recent releases that are yet to be mined or marketed properly.

For example, there’s a song called “Father and Daughter” that should be the “Forever Young” of his later catalog. And there are many more like it.

Not to mention “Mrs. Robinson,” “Still Crazy After All These Years,” “Slip Sliding Away,” and on and on.

Simon, who will be 80 this year, has set up his family for life. They better give him a big birthday party.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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