Saturday, July 4, 2026

Ratings Buzz Kill: “SNL” with “Bridgerton” Star Regé-Jean Page, Bad Bunny, and Anti-Semitic Joke Not a Hit

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Regé-Jean Page, the sexy star of “Bridgerton,” was supposed to pull in big ratings for “Saturday Night Live.”

With musical guest Bad Bunny, there were high hopes for a lift after last week’s 4.1 million.

Well, there was a lift, to 4.2 million. But that’s well below this season’s average, and last season’s as well.

If Regé-Jean had hit 4.4, there might have been celebrating. But this was a meh-showing for a current flash in the pan star.

Plus, there was Michael Che’s unwelcome anti-Semitic jokes.

“SNL” is not funny right now. They’ve abandoned politics post-election. I guess they don’t want to poke even gentle fun at Joe Biden or Kamala Harris, Trump is gone, and the show is adrift. The pedestrian sketches just aren’t making it. There’s not much going on with Kate McKinnon, either. Maybe everyone’s just burned out. It’s reflected in the ratings.

The only good laugh was in the cold open. And by the way, Kenan Thompson’s pilot, shown after “SNL” last night, was terrible.Poorly cast and written, and directed. Everyone mumbled and talked fast. Kenan is such a star, he deserves better casting around him. (Chris Redd excepted, he could have his own show.)

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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