Monday, July 13, 2026

Ratings: Queen Latifah’s “Equalizer” Takes Out “American Idol,” But Claudia Conway Trumps “NCIS” Spin Offs

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It was a rocky night last night for network shows.

CBS sent Queen Latifah in to take out “American Idol” and it did the trick. “The Equalizer” knocked off the first half of “Idol” easily at 8pm, which was a shame. The first hour of “Idol” had pretty good singers.

The second half of “Idol” at 9pm was not so good, but it featured The Conway Family starring teen Claudia, her out of it father, and mother who no one ever wants to see again.

“Idol” has evidently bought in to exploiting Claudia for ratings, and this paid off. “Idol” at 9pm beat both “NCIS Los Angeles” and “New Orleans.” Two of the three judges went along with keeping Claudia on the show for another week. Luke Bryan was the dissenting vote but he was overruled.

More worrisome is that the “NCIS” spin-offs are fading. “Los Angeles” came in just under 6 million viewers, and “New Orleans” just under 5 million. And those are sweeps episodes. Now that there’s word going around that Scott Bakula is eyeing a return to the “Star Trek” franchise, he may be preparing for an “NCIS NO” ending. So hold on.

Next Sunday pits Queen Latifah against Claudia Conway directly as “Idol” will be just an hour at 8pm. Will the Queen equalize the singers? Stay tuned…

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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