Thursday, July 16, 2026

CBS Sitcom Ratings Crash as Allison Janney “Mom” Returns 25% Off Last Season Average without Co-star Anna Faris

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Yikes.

“Mom” was back last night without Anna Faris, and the ratings were disastrous.

The Allison Janney sitcom dropped roughly 25% or more from last season’s average. The total was 4.8 million versus over 7 million for last season’s spring finale. Last season’s average was 6.3 million per show.

What’s even more humiliating is that “Mom” LOST over 200,00 from its lead-in, the not very good “B Positive,” a pilot for a new series. “Mom” is in its 8th season.

But the whole premise of “Mom” has been wrecked by the sudden loss of Faris, who exited the series last minute in August after signing on for the season. Now Janney has no child to be a Mom to, is happily married, and has a bunch of nice friends. But the mother-daughter scenario is over.

Whatever happened to Faris, I hope she’s alright. But she’s almost certainly doomed the show to cancellation.

And what did they do with Faris’s character? The episode began last night with Janney and her husband, played by William Fichtner, coming home after dropping her at Georgetown Law School. LOL. Preposterous? Not really when you think Tiffany Trump graduated from there. And that was preposterous enough!

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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