Monday, June 22, 2026

Oprah Mag Mysteries: Why Is It Closing with Large Circulation? Why Did the NY Times Bury the News? More Hearst Layoffs?

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There are more mysteries than ever about the ending of the print edition of the Oprah O Magazine.

No one can explain it– or is bothering to. According to the Audit Bureau, O Magazine has a circulation of 2.2 million. It’s number 19 on the list of all magazines, which is pretty impressive. Business should have been booming. Just for comparison: 2.2 million is twice as much as Vanity Fair or Vogue.

Did it have something to do with Hearst’s now ousted Troy Young, who made lewd and racist remarks to his staff? “Nothing at all to do with Troy,” says a source, “but timing is very unfortunate.”

They continue: “I don’t feel the magazine is over and that was never the message…That said O mag ain’t dead …”

Second mystery: why did the New York Times bury the story of the print edition ending in Ben Smith’s media story? It’s not in the headline or in the many paragraphs leading to almost the end, where the news i thrown away. I’d think the end of Oprah’s magazine is a huge story.

Third: I’d heard a few weeks ago that layoffs are coming to Hearst, which announced in June that there would be no layoffs. Dropping the print edition bodes poorly for the staff. So brace yourselves. This isn’t over.

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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