Sunday, July 5, 2026

Disney’s $75 Mil Pays Off: “Hamilton” Film Scores a 100 on Rotten Tomatoes, Soundtrack Jumps Back to Number 1 Almost 5 Years After Release

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The “Hamilton” CD, the score to the hit Broadway show, was released on September 25, 2015. It was a hit right away, and stayed at the top of the charts for a couple of years. It was certified six times multiplatinum by the RIAA on April 4, 2019, making it the best-selling cast recording of all time

This morning, “Hamilton” is back at the top of the iTunes charts, and it’s probably going to be there for most of the summer. The reason? We are two days away from “Hamilton” streaming on DisneyPlus. I raved about the film version a couple of days ago. And everyone who’s seen it has loved it.

Indeed, “Hamilton” currently has a 100 on Rotten Tomatoes with 50 reviews. (I can’t wait to see who tries to knock it off that perch. There’s always someone.)

Disney paid $75 million for the rights to “Hamilton,” which seemed like a lot of money when they announced it. But actually, it was probably a bargain. When “Hamilton” hits DisneyPlus on Friday they’ll be lucky if the service doesn’t crash from demand. And there is a very good chance “Hamilton” will score Oscar nominations galore next year in every category it won at the Tony Awards and more. The movie is that good. I hope it gets to play in theaters sometime soon!

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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