Saturday, July 4, 2026

Rapper-Actor Ice Cube aka O’Shea Jackson Tweets Anti-Semitic Message with Shocking Drawing, Reviving His History of Hate

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Back in 1991, rapper Ice Cube aka O’Shea Jackson released a song with anti-Semitic lyrics called “No Vaseline.” This was before the internet, and although there were articles written about it, Jackson went on to have successes unimpeded.

Three days ago, Jackson Tweeted out the most anti-Semitic message I’ve ever seen by a celebrity who’s supposed to be mainstream. The Tweet featured a horrific painting of what looks like Jewish men — depicted by their big noses — playing Monopoly. The game board is supported by dozens of bald, naked black men, i.e. slaves. There’s a wad of cash thrown into the middle of the board.

The painting is credited to “Anonews.” A message is emblazoned above and below the painting: “All we have to do is stand and their little game is over.” Ice Cube himself has written as his Tweet message, in capital letters: “FUCK THE NEW NORMAL UNTIL THEY FIX THE OLD NORMAL!”

I’ve reported the Tweet to Twitter and sent Jack Dorsey a message asking him to ban Jackson.

This kind of message is as damning as anything sent out by any other kind of racist. This is racism at its purest level, and it’s hate. It furthers memes about Jews that are disgusting and untrue, and does nothing but cause deeper schisms. But it’s consistent with Jackson’s views, ones that obviously haven’t changed since he wrote “No Vaseline” thirty years ago. As far I’m concerned, Jackson should have been “cancelled” when that song was released.

I’m reproducing the Tweet here because I want everyone to see what this guy did.

This is completely unacceptable.

 

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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