Friday, July 3, 2026

Fiona Apple: Fetch the Champagne, Her Fifth Album Sells Most Albums in Slow Week But Finishes at Number 4 on Charts

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Fetch the Champagne!

Fiona Apple’s “Fetch the Bolt Cutters” sold 30,000 albums and paid downloads this week. Apple’s fifth album since 1996 sold the most of any release, almost three times as many as the album by Da Baby (who will not be here in 26 years. Or months, maybe.)

Even so, “Bolt Cutters” finished in fourth place because it had little streaming– just 15,000 copies’ worth. Da Baby (yes. him again) streamed the equivalent of 115,000 copies. Plus his 11,000 downloads. So he wins. The Weeknd’s hit album, “After Hours,” finished in second place.

Fiona’s “hit” (30,000 copies is like nothing, really) was nevertheless a success for Sylvia Rhone at Epic Records. It was very well marketed. I mean, Fiona Apple? How they pulled that off, I’ll never know.

Will “Bolt” cutters even sell 250,000 copies in its lifetime? Who knows? I’m sure it will get Grammy nominations, as will The Weeknd’s record. If we have the Grammys. Good lord.

This week’s top 100 even with streaming was another low in the history of sales charts. Without each week’s new number 1, there would be no chart. Nothing is selling. Everything is stagnant. But at least the Rolling Stones are number 1 on iTunes today.

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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