Sunday, June 16, 2024

Taylor Swift Goes After George Soros’s Family and Her Old Label for Releasing a Live Album of Hits, But What Did She Think Would Happen?

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I don’t get Taylor Swift. She was paid millions by Big Machine and Scooter Braun for her catalog. She had the chance to buy the catalog, or buy Big Machine. Instead, she took millions more and fled to Universal Music. Then she carped it about endlessly in public.

Now tonight Big Machine is releasing a live album from a 2008 radio show. Taylor is mad, she’s posted a notice to Instagram stories. She writes “It looks like Scooter Braun and his financial backers, 23 Capital, Alex Soros, and the Soros family and The Carlyle Group have seen the latest balance sheets and realized that paying $330 million for my music wasn’t exactly a wise choice and they need money.”

Yeah, one second. Taylor may not like it, but she told it to them. And she will be PAID handsomely on the publishing for all the times those songs are played somewhere. I mean, she will rake it in. So please, enough.

And this has nothing to do with coronavirus, as you’ll see writes. If there were a blizzard this week, she’d say How could they do this when it’s snowing?

So far there’s no listing anywhere for this album that Taylor is crying about. It’s not on amazon or Spotify. Let’s see what happens.

 

 

Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman began his Showbiz411 column in April 2009 after 10 years with Fox News, where he created the Fox411 column. His movie reviews are carried by Rotten Tomatoes, and he is a member of both the movie and TV branches of the Critics Choice Awards. His articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. He is also the writer and co-producer of "Only the Strong Survive," a selection of the Cannes, Sundance, and Telluride Film festivals, directed by DA Pennebaker and Chris Hegedus.

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