Friday, July 3, 2026

Pop: The Weeknd Scores A Debut Week Twice the Size of Justin Bieber, Beating BTS for 2020’s Biggest Debut

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We’re about  90 days into 2020, and the biggest debut of the year so far is here. The Weeknd’s “After Hours” scored 445,000 copies sold including streaming.

That’s the biggest debut of 2020, beating BTS by about 20,000 copies. It’s also roughly double what Justin Bieber sold of his “Changes” album.

The Weeknd also has several hit singles from “After Hours,” all in the top half of the charts. And this is interesting: The Weeknd’s sales were more than half in CDs and paid downloads. Streaming was secondary. The Weeknd’s fans want to own this music, not just access it passively.

The Weeknd also made mincemeat (can you still do that) of Childish Gambino’s badly released new album called “3.15.20” or “We Don’t Know What We’re Doing.” The Donald Glover aka Gambino album could not have been handled more poorly.

Former One Directioner Niall Horan’s second album “Heartbreak Weather” fell from 4 to 47, it’s over. What happened? Capitol is not connecting with the One Direction audience or even Harry Styles’. Horan doesn’t wear lipstick and fishnet stockings. He’s just a solid singer-songwriter. But he needs marketing, and fast.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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