Thursday, June 11, 2026

For Harry Styles, “Lights Up” was a Dim Prospect as Opening Single for New Project, Coming in 3rd This Week

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Harry Styles released “Lights Out” last week, mid week, with no warning or marketing. The result was a few sales counted before the week ended. But it did go to Number 1 for a minute.

A week later, “Lights Out” has been a dim prospect for Harry, who will release a new album soon. The single is at 23 on the iTunes chart. With sales (including streaming) at 80,000, “Lights Up” will finish third for the week. Its actual sales: 13,000 paid downloads this week, a total of 17,000 counting last week. I liked “Lights Up.” Maybe the next one will do better. But remember– Harry’s singles from his first album were not earthshaking sellers.

The singles chart is a strange place in this generation. Artists drop songs, they go to number 1 for 2 days, then drift away. Few singles stick around for months, making a lasting impression, Lizzo’s “Truth Hurts” just passed its 13th month  birthday in the top 5. Now that’s a hit! Another Lizzo track, “Good as Hell,” debuted on March 8, 2016– three and  half years ago! It’s number 6 right now.

Katy Perry dropped a new track on Tuesday night called “Harleys in Hawaii.” There’s also a video. I don’t get it. These are just pedestrian songs. She can — and has done– so much better.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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