Saturday, July 25, 2026

“Ad Astra” Could Give Brad Pitt One of 2 Oscar Nods (Tarantino’s the Other) But the Movie is a Little Lost in Space

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SO many things to say about James Gray’s “Ad Astra,” which opens next Friday, September 20th.

The main thing is, this role of Roy, an astronaut in the near future, gives Brad Pitt a chance to shine dramatically and in a lead role. It could be one of two Oscar nominations for him, with Quentin Tarantino’s “Once Upon a Time in Hollywood” his other one, in supporting. Wouldn’t that be a kick?

But “Ad Astra” is a little lost in space, sort of a Terrence Malick meditation in the pitch black skies. It’s a gorgeous movie to look at, not just because Brad Pitt is, well, Brad Pitt. Hoyte van Hoytema’s cinematography feels as if he went into space and shot there, on the moon, Mars, and Neptune. Even the Earth looks good under Hoytema’s gaze.

This is not a movie of a lot of action, though. It’s a lot of interior monologues, and feelings. There’s no supporting roles big enough to mean much. It’s all Brad. Even Tommy Lee Jones, playing Brad’s long lost thought-dead astronaut father doesn’t get much of a star turn. Some supporting players are literally left twisting in the wind. I have no idea what happened to Donald Sutherland’s character, Ruth Negga’s, or Liv Tyler’s although at least she, Liv, has some character development. I’m giving a shout out to Sean Blakemore, who is not getting his due in movies.

No, it’s all about Roy McBride, a classic loner, no kids, a disgruntled wife (Tyler), who’s never gotten over his dad disappearing into space decades earlier. Turns out he’s alive, and causing trouble on Neptune. NASA is sending him to find Clifford McBride and stop him. So the movie is basically Roy ruminating on their relationship. SO it’s up to Brad to big his big game, not just the fun stuff that we know he’s capable of.

And he does it. Not since “Moneyball” has Pitt seemed so engaged and confident. He’s not just a movie star, a tabloid subject, etc. He’s an actor. And “Ad Astra” gives him a chance to show us what he can do. It helps to that lines and crevices have arrived on his perfect face, giving him more character than ever. It’s possible that Pitt, like Clint Eastwood, will find the “mature”part of his career the most fulfilling. I’m down for it.

Since the Oscar prognosticators are going mad with projections, I’d put him squarely on the bill with Michael B. Jordan, Adam Driver, Taron Egerton, Edward Norton, Christian Bale, and Leonardo DiCaprio. It’s early yet, there’s a lot more to come. but at least we’re in the same galaxy, er, on the same page.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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