Tuesday, June 30, 2026

In One Day, Taylor Swift Has Become Prince: Either She’ll Write Slave on Face, Get a Glyph, or Become the Artist Formerly Known As…

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Taylor Swift fans are too young to know this but a long time ago, in a far off galaxy, Prince– the late R&B superstar– wanted his masters back from Warner Bros. Records. He’d been with them for 18 years or so and had had enough. He decided to leave Warner Bros. and go off on his own.

Surprise! Warner Bros. didn’t want to give Prince his masters. So Prince changed his name to the Artist Formerly Known as Prince, forced journalists to refer to him with a symbol or glyph, and wrote Slave on his face.

That was circa 1995-96. The more things change, the more they stay the same.

Now Taylor Swift has allowed herself to lose her master recordings to her former label, Big Machine. She moved on to greener pastures with Universal Music’s Republic Records. Who knows what they gave her to induce abandonment of her precious songs? But she’s not going to get them back.

A petition has popped up on change.org urging Scooter Braun to give back her art. It’s not going to happen. He paid $300 million for those masters. They are his, fair and square. Maybe Taylor can use a glyph, or appear as The Artist Formerly Known As…

Prince, by the way, re-recorded his original records. At least some of them. They have never replaced the original hits. In time, Prince made up with Warner Bros. before he died. He had no choice.

Thanks to Big Machine’s Scott Borchetta, we have Taylor’s deal memo right here.

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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