Friday, July 3, 2026

Mel Gibson In Hollywood Exile: New Movie “Dragged Across Concrete” Gets Stealth Release, Headed to VOD Almost Immediately

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Mel Gibson is done in Hollywood. Don’t let what anyone says fool ya.

His new release, “Dragged Across Concrete,” is in stealth mode. It’s playing in a handful of cities, but not really. Check your local listings. You won’t be able to find it. Even if you did, could you sit through it? “DAC” is 2 hours, 40 minutes. That’s THREE Hours in the theater including bathroom and soda breaks.

“DAC” has a 75 on Rotten Tomatoes, it’s described as a violent pulp thriller. Vince Vaughn co-stars. Summit, which used to be a real company and is now just an arm of LionsGate, isn’t reporting box office statistics. That’s because there aren’t any.

“DAC” is in one theater in Manhattan, one in Chicago, two in Dallas, one in LA. It’s not playing in most places, including all of Detroit.

The plan is to get it to video on demand services within the month. And pretend like it never happened. Maybe there’s a market for it abroad.

But Summit knows, very few people want to see a Mel Gibson movie, and certainly not one that’s violent. Also, according to reviews, Gibson and Vaughn’s characters aren’t sparing when it comes to spewing vitriol.  Here’s the official description:  “The script centers on two policemen, one an old-timer, the other his volatile younger partner, who find themselves suspended when a video of their strong-arm tactics become the media’s cause du jour. Low on cash and with no other options, these two embittered soldiers descend into the criminal underworld to gain their just due, but instead find far more than they wanted awaiting them in the shadows.”

Three hours of that? No thanks.

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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