Wednesday, May 20, 2026

Happy “Halloween” as 40th Anniversary of Classic Horror Film Scores Big But Falls Short of Record with $77.5 Million

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Halloween is all about masquerading, and certainly the movie “Halloween” in 2018 is all about that.

As the 40th anniversary horror film sets a record today with a $77.5 million opening it’s interesting to see who’s behind the mask.

“Halloween” was made by people who don’t usually make horror films. The director is David Gordon Green, who made his name with a cult indie film called “George Washington” in 2000.

More recently, Green has worked a lot with wry comic actor Danny McBride. They collaborated on McBride’s original HBO series “Eastbound and Down.” Then they re-teamed for “Vice Principals.” Now McBride helped writer “Halloween” with his “VP” writer Jeff Fradley.

McBride and Fradley wouldn’t be the names that come to mind for a “Halloween” type movie. But the humor is what makes the 40th anniversary edition zip. It’s very Kevin Williamson, who made the “Scream” parody series off the backs of movies like “Halloween.” So the whole thing has come full circle.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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