Friday, July 17, 2026

Broadway: Box Office Sharp Downturn as “Hello, Dolly!” Cools Off, “Glass Menagerie” Sets Closing

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The Broadway box office was up, up, and away for a few weeks. But all of a sudden there’s been a big cooling off. Total receipts last week were just over $32 million. Compare that to two weeks ago when the total was $41 million.

All the hype around “Hello, Dolly!” may have finally soured with the public. The total box office was off by $141,510 from the previous week. Soon theatergoers are going to realize Bette Midler won’t be there at matinees, and may not be sticking around that long. MEanwhile, you can stream all the musical numbers from the show at www.playbill.com or over at the NPR website.

Sally Field’s “Glass Menagerie” put up a closing notice for May 21st. Sally is terrific, so are Joe Mantello and Finn Wittrock. But their box office has been terrible. They’re doing about 65% of capacity. Why? Not so much promotion. Producer Scott Rudin’s put everything into “Dolly.” And that means, “Goodbye, Sally!” Try and catch this before it closes.

“Amelie” closes next. “Anastasia” has no Tony nominations and nothing to recommend it except the connection to the animated movie. Same for “Charlie and the Chocolate Factory.” Those ladder two will soldier on until the movie-associations peter out, probably next winter if not sooner.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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