Tuesday, July 21, 2026

Jann Wenner’s Publishing Empire Takes Another Hit as US Weekly is Sold to American Media

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Here’s the score today: David Pecker 1, Jann Wenner 0.

Wenner’s slowly crumbling empire took a hit today as US Weekly has been sold to Pecker’s ascendant American Media.

Wenner and Pecker had been in negotiations weeks ago but they fell apart when Wenner wanted too much money. US Weekly is said to be carrying $60-$65 million debt. Wenner wanted $100 million, AMI offered $85 mil. When they couldn’t come to terms, AMI bowed out. Tronc, the weirdly named Tribune Publishing Company then said they’d buy US.

But that deal fell apart, and Wenner’s people went back to Pecker. Presumably Pecker got a bargain at that point. US Weekly will be his most upscale publication in a pack with The National Enquirer, Star, the Globe, and Radar.com.

As for Wenner, he’s got problems. Rolling Stone has been hobbled by lawsuits stemming from the non-rape story with the University of Virginia. Half of Wenner Media– well, 49%– is now owned by the Chinese. Wenner’s 26 year old son Gus is running the magazine. And Jann’s Men’s Journal is sort of redundant to AMI’s Men’s Fitness should Wenner need a buyer that magazine any time soon.

Of course, he still has the Rock and Roll Hall of Fame to keep him busy.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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