Tuesday, July 21, 2026

Box Office: Oscar Nominated Movies Doing Great, But LEGO Dominates “Fifty Shades,” “Great Wall”

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Maybe the third “Fifty Shades” movie should be made of LEGO.

In its second weekend part two of the “Fifty Shades” series is being dominated by “The LEGO Batman Movie.” LEGO is also snapping apart “The Great Wall,” which luckily made all its money in China– or “Jghina” depending on how you pronounce it.

Luckily, “The Fifty Shades Darker” soundtrack is number 1 on the charts. But it does seem like the “Darker” sequel made most of its money last weekend. It was down by two-thirds from last Friday to last night.

Meanwhile “The Great Wall” should scare up $20 million this weekend. It doesn’t matter. Again, they’ve made their money. “The Great Wall” will go to video without making a dent in the US movie culture.

The good news is that the Oscar nominated movies are all doing well– “Hidden Figures,” “Lion,” and especially “La La Land.” Next Sunday the Damien Chazelle musical will get a lot of awards despite furious “planted” backlash. I have to laugh when I read or hear something negative about this film. Sorry, there is nothing bad to say. And when that plot reel starts playing back the romance of the two main characters, a la “Annie Hall,” you know Chazelle has got it.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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