Tuesday, May 19, 2026

Box Office: “Ghostbusters” Surprises, “Independence Day” Falls Short Again, Woody Wins

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The weekend box office continued to bring good news for “Ghostbusters.” Sony took in $46 million and maybe a little more once all the dimes and nickels are counted. There’s some frisson about sequels, but I’d like to see another of these. In fact, I’ll be a second one will turn out to be better. Put those ladies in some relationships. Let Annie Potts have a bigger role as their female mentor.

“Cafe Society” did very very well. Is it the Kristen Stewart factor? Whatever it is, Woody Allen’s latest could shape up nicely as a hit. I’m very pleased. We are all the winners if Woody is one!

“Independence Day: Resurgence” is a frustrating release. Fox is four weeks into this release and they’re still short of $100 million. That line will be crossed this week. But what a long strange trip it’s been. “IDR” is a really bad movie. Please, no more of these.

Warner’s “Central Intelligence” hit $117.5 million. They’ve got $180 worldwide US included. The comedy only cost $50 million. Nicely played.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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