Saturday, July 18, 2026

“Memento” Remake News Stirs Anger: Worst Idea Yet Comes in Press Release

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Christopher Nolan’s “Memento” is one of my favorite films of all time. It’s certainly a cult film with a hardcore following of loyalists. Ever since its release in 2000, the backwards told tale starring Guy Pearce, Joey Pantoliano, and Carrie-Anne Moss has again and again made dozens of all time and top 100 film lists.

So this afternoon’s press release that someone other than Nolan was going to remake “Memento” has stirred anger all over social media. AMBI Films, financed by the Bacardi family of Italy, apparently bought a film library that included “Memento.” Their first reaction? To remake a perfect film by an auteur who has since gone on to huge success with the “Dark Knight” movies, “Inception,” and “Interstellar.”

What AMBI doesn’t understand is that you simply don’t do this. It didn’t work for “Psycho” or “The Heartbreak Kid,” for example. Certain classic films cannot and should not be remade. There’s no reason for it, and the public only rejects them twice as hard.

The library AMBI bought includes some interesting titles. First there are personal gems like “Begin Again,”The Ides of March,” “End of Watch,” “The Way Back,” Peter Landesman’s “Parkland,” and Ron Howard’s “Rush.”

But somehow Mel Gibson’s controversial “The Passion of Christ” and “Apocalypto” are in there, too, as well as Gibson in “What Women Want.”

Someone should tell these people to pour themselves a Bacardi and rethink this plan.

It’s ironic: “Memento” is about a man unable to form short term memories. But the movie going audience has a very good long term memory of “Memento.” They will not go for this, with Nolan excluded from the equation. And what decent director or actor will get involved?

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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