Friday, July 3, 2026

“Empire” Spin Off is The Monkees Meets Destiny’s Child about Four Aspiring Pop Starlets

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TV EXCLUSIVE “Empire” is such a big hit that of course, everyone wants a spin off. But history shouldn’t repeat itself: When “Dynasty” took existing characters and spun off “The Colbys,” it was a disaster. The new show lasted one season. Its theme music was later repurposed for “Star Trek.”

Now I’m told that Lee Daniels is casting a pilot that will feature four young women who are aspiring pop stars. This sounds like an “Empire” spin off, as a record company would be involved. It’s called “Star.”

The ladies’ names in this show are Star, Cotton, Alexandra, and Simone. They’re 18-20 years, black, white, and mixed, and one of them is, naturally, transgender.

What could be interesting is if the four girls gel, and become a singing group that makes records in real life– sort of “The Monkees” become Destiny’s Child. That’s a whole other income stream for everyone, especially Sony Music.

Daniels isn’t diluting “Empire” to make this pilot. “Empire” writer Danny Strong isn’t involved. Instead, Daniels’ writer on the show is Tom Donaghy, whose credits include “The Mentalist” and a Rob Morrow show I guess I missed called “The Whole Truth.”

Could Cookie make appearances? We’ll see….

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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