Thursday, July 16, 2026

Box Office: Cannibal Horror Movie Opens to Negative Reviews, $3.5 Mil Opening Weekend

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UPDATE Weekend total was $3.5 million. Not a great showing. But “Green Inferno” is headed to a video life a cult repulser.

EARLIER Very quietly, “The Green Inferno” is here. Eli Roth’s ode to cannibal horror made $1.5 million on Friday night, averaging $955 per theater. The extremely graphic (reportedly, because you’re not getting me in there) has a 38 on Rotten Tomatoes, which is pretty bad but still seems generous. Most regular movie goers will never know about it or see it. It’s strictly genre, for people with very strong stomachs and inability to form short term memory.

Was there a premiere for this? It’s one time I’m glad my invite got lost in the mail. And no, the Rascals’ “I Ain’t Gonna Eat Out My Heart Anymore” is not on the soundtrack.

Meanwhile, Sony’s animated “Hotel Transylvania 2” did $13.2 million last night. It could set a record for September openings. Adam Sandler is one of the voices. Not sure if this counts as a “comeback.” But he does do great voices.

Robert DeNiro and Anne Hathaway in “The Intern” made $6.2 million. They’ll have a $17 million weekend. Then off to video and other worlds. Still, for a light comedy, mid September, not bad.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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