Tuesday, June 16, 2026

Robin Thicke: No New Trial on “Blurred Lines,” It’s Still Marvin Gaye’s Song

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Robin Thicke, Pharrell, and co. wanted a new trial over the “Blurred Lines” fiasco. But a judge has ruled that’s not happening. “Blurred Lines” remains plagiarized from Marvin Gaye’s “Got to Give It Up.” Judge John A. Kronstadt of US District Court, Central California did lower the financial damages, however. Pharrell’s exposure has been downsized from $1,610,455.31 to $357,630.96.

Robin Thicke still got to give it up.

“Blurred Lines” will continue to be played on the radio and sold as a recording, but now the Gayes get “ongoing royalties.”

What a mistake it was to take this to trial. Since this happened, Thicke and his lawyers have learned their lesson. For his new single, Thicke gave equal songwriting credit to the late great Barry White because the song “Morning Sun” is underpinned by White’s trademark orchestration. It was easier than having a new, even more embarrassing trial.

New songs often infringe old ones, and then the parties usually come to an offstage agreement. For example, “The Greatest Love of All” borrowed elements from Gordon Lightfoot’s “If You Could Read My Mind.” There was a private settlement. Same with Mariah Carey’s “Emotions,” which was a re-do of The Emotions’ “Best of My Love,” by Maurice White.

 

 

 

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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