Monday, July 6, 2026

Box Office: Bieber Busts Believers, Frozen Nears $300 Million

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Despite bad weather, a lot of people went to see “Frozen” even though it was freezing outside. The Disney blockbuster nears $300 million domestic take now. All memories of “The Lone Ranger” are — hi ho!– way in the distance.

Justin Bieber’s “Believe” remains a bust without believers. Through Sunday the infomercial has not cleared $6 million. The estimated take for today, Sunday, was $138,000, or the price of one of those cars Bieber smashes up in his driveway.

The big news is that “Philomena” is about to cross the $20 million mark. The Stephen Frears directed dramedy is a phenomenon. Everyone loves this movie. Judi Dench still hasn’t done much publicity since she’s been in the UK. But she’s coming to the US next weekend. She will be amused how much people want to see and talk to her.

Three other potential Oscar nominees are all in the top 10 and doing well– “American Hustle,” “Wolf of Wall Street,” and “Saving Mr. Banks.” “Inside Llewyn Davis” is finally taking off. “August: Osage County” is doing great in limited release.

The big big duds: “47 Ronin”– cost $200 mil or more, only $32 mil in the bank. And “Enders Game” which must be pretty bad because even the foreign market couldn’t save it.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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