Sunday, July 5, 2026

TV Land Treads Water: The Soul Man’s Shrinking Episode Order

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TVLand is not exactly the AMC of drama. They’ve just “renewed” a terrible sitcom, “The Soul Man,” for a third “season.” If only star Cedric the Entertainer should shed pounds the way “The Soul Man” has lost episodes with every season order. This new season is just a measly 8 episodes. That’s down from 10 in Season 2, and 12 in Season 1. TV Land is treading water until it can find something successful to replace it.

The grating “comedy” has no actual ratings. It never makes the top 50 or top 100 list of cable shows on its night, or in its week. TVLand is now touting its numbers in the narrowest range it can find: African American women ages 25-54. Talk about specific demos.

But TV Land is desperate. They’ve pinned their whole new-show schedule to “Hot in Cleveland,” a show that gets publicity but ratings not much better than “The Soul Man.” At least “Hot in Cleveland” has proven a potential syndication money maker for TV Land. They’ve actually had regular season orders– 22 or 24 episodes each– adding up to 80. In their next season, “Hot in Cleveland” will hit the magic number for syndication– 100– and TV Land can retire it to pasture. “The Soul Man,” which will never get half that far, is destined for repeats on UHF stations.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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