Monday, June 8, 2026

Affleck, Timberlake: Big Stars, Very Low Score with “Runner Runner”

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It’s not a happy morning for Ben Affleck, Justin Timberlake or Fox. “Runner Runner” opens today with an astonishingly low score on Rottentomatoes.com The film has an 11% rating with 54 negative reviews and 7 positive ones. That low a number might be surmounted if the weekend weren’t packed with good films. “Gravity” has a 98%– just about perfect– and could score a $40 million opening. It may do even better than that and deservedly so.

Both “Parkland” and “ACOD” have decent 47, 48s. I really liked “Parkland” but it has nothing behind it– no marketing or publicity, no effort. It’s too bad became James Badge Dale and a number of others are quite good in it. “ACOD” — which I haven’t seen– is actually based on real people. I know some of them. It sounds entertaining.

“Runner Runner” is written by two smart, talented guys– Brian Koppleman and David Levien. They wrote “Rounders” and “Oceans Thirteen,” among other things. They will rise again, certainly. But it sounds like “Runner Runner” is heading to the dustbin.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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