MTV Serves Up Annual Witless, Loud. Commercial Video Music Awards
Was there anything redeeming about the MTV Video Music Awards? Not that I could tell. And I watched it from a very nice party thrown by Republic Records over at what used to the Lotus nightclub on West 14th St. There were lots of young people, all guests, and you know what they told me? They don’t watch MTV. And if they do, they don’t see music videos on it.
Sunday night’s show came from the Barclays Center in Brooklyn but it could have been anywhere, outer space, Kansas City. It had no personality, very little artistry, and a lot of noise. Lots and lots of noise. Miley Cyrus seems determined to destroy whatever fanbase she had by going from Hannah Montana to Madonna. She wore very little and raunched it up in her segment with Robin Thicke– who looks old enough to be her father. It didn’t work. I did like her singing “Blurred Lines.” Maybe she should stick to singing.
Maybe they all should try sticking to actually singing. The painful truth about pop in 2013 is that is freeze dried, presented in perfectly produced packages. All of them– Taylor Swift, Katy Perry– they are like windup dolls in a store window. Someone has conceived and styled them. They all sound vaguely the same which is why Perry’s new single sounds like one released by Sara Barielles a few weeks ago. They are all the same.
With some exceptions: Lady Gaga, god bless her, changed outfits, makeup and wigs around 5 times in four minutes at the start of the show. I give her a lot of credit because at least she’s trying something different. It may not always work. And you can her frustration.
And Justin Timberlake: the material may not always be great, but he’s a stellar showman. His music is not going to stand the test of time. But he’s goodnatured about it. And as with Gaga, the work ethic is obvious. Bringing on NSync was a nice gesture even if it wasn’t their finest moment. They’re like old war buddies trying to relive some old skirmish.
But the sum of the MTV VMAs is that this dreadfully humorless stuff is what pop music is now–at least the pop that is celebrated by MTV. You really had the feeling that the songs were there to hold up the commercials. And what other awards show gives awards on the red carpet during the pre show? That was too much. But of course then these people — these so-called “artists” — would have to speak. And boy that would be a terrible mistake.
@ela. You can’t flog a dead horse.
Dear Roger: I don’t always agree with your opinions but here I do.
Say it as it is: pop music with any class to it died with Michael Jackson.
Isn’t it ironic that most of these “entertainers” “stars” if you will make the MOST of their money getting endorsements? Every one of them has a fashion line, or a perfume line, or they model for Loreal or a car company. Music is secondary.
A.G, Slave to the Rhythm ROCKS without Justin Bieber! he ruined the song completely
Spot on analysis. Another thing that struck me: the perfectly asinine over-the-top endorsement by MC Fallon of his good friend Timberlake’s performance and just deserts. Overall the ridiculous grandstanding and mutual congratulations by nincompoops has become a total bore.
Umm, hello? Did you not see Bruno Mars performance! No lip sync, stellar vocals, with live instruments. He was the best performance of the night hands down!
FINALLY – someone who calls it what it is. There were a few numbers that were pleasing (not spectacular). I don’t recognize 80% of these “people!” The music is formula, poorly done, deffinitely NOT memorable. I couldn’t run away fast enough. As for Myley? So sad, so desperate…an insult to the average person. Not much talent to speak of. We’re in a musical dryspell.
Mostly forgettable talent, mostly forgettable songs.
Well, as I said some time ago when that awful Bieber/MJ Slave to the rhythm mix came out which was bad in either form, with or without Bieber: Pop music is a dead form. Small wonder that great artists like Sting have completely left it behind!