Thursday, June 11, 2026

Robin Thicke Crosses Blurred Lines–And Sues Marvin Gaye’s Family Before They Sue Him

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Here’s a disappointing move: Robin Thicke and Pharrell Williams, who wrote Thicke’s massive hit “Blurred Lines,” have sued members of Marvin Gaye’s family. They’ve sued the Gayes before the Gayes can sue them. The issue? Whether or not “Blurred Lines” resembles in any way Gaye’s classic 1981 hit, “Got to Give it Up.” Evidently the Gayes have sent notice that they will sue if not compensated for the incredible similarities between the two songs. They say Thicke and Williams ‘got to give it up.’

It’s an aggressive turn for Thicke and one that he maybe didn’t think out all that clearly. He and Justin Timberlake have spent their careers emulating 70s R&B soul. In Timberlake’s case, he actually did sample a piece of a 70s dance record to get “Suit and Tie.” With Thicke, I thought he understood that we knew he’d adapted “Got to Give it Up.” He bills himself as white soul singer. What he and Pharrell did was incredibly clever. But there’s no denying the relationship between the two records.

Thicke makes his money emulating black music. I don’t think it looks so good for him to sue the family of a deceased R&B legend. The Thicke-Williams complaint says they didn’t infringe on “Got to Give It Up.” They say you can copyright a “feeling” as opposed to actual notes. Attorney Howard King, who’s usually on the right side of arguments, says a musicologist studied the songs and they’re not the same. But does that matter? Thicke and Williams could have just paid a sampling fee, made the Gayes feel good, and moved on. This way, it just doesn’t feel good.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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