Friday, July 3, 2026

Golden Oldies: iTunes Price Cut Pushes Billy Joel, Stones, Elvis, Fleetwood Mac Into Top 50

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What year is it again? A major price cut from iTunes last week pushed a bunch of Golden Oldies artists into the top 50 on the charts. Yes, Robin Tnicke is number 1 with his “Blurred Lines” album at 174,000 copies. But “Blurred Lines,” like Daft Punk and Justin Timberlake all sound like music from the 1970s. So it makes sense that the charts today from hitsdailydouble.com show a surprising resurgence of old albums. They’re all greatest hits packages. Otherwise, the charts are stagnant. And these artists and numbers reflect that music today is either terrible or not being made available to buyers, or both. Radio monopolies and pre-programmed playlists haven’t helped. And streaming is definitely cutting into sales both physical and digital. Jay Z and Kanye West have had disappointing releases. Mariah Carey didn’t come through. Now we wait for John Mayer, Sheryl Crow, and Arctic Monkeys.

This week at the nursing home:

#13- “The Essential Billy Joel”– 17,440 copies

#17- Rolling Stones “Hot Rocks– 16,335

#22- Creedence Clearwater Revival– 14,770

#26- Queen– 11,042

#27- Fleetwood Mac– 10,872

#32- Johnny Cash– 9,552

#35- Red Hot Chili Peppers – 9,441

#40 – Elvis Presley– 8,709

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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