Wednesday, June 17, 2026

Hollywood’s Real Horror Story: Big Budget Flops Echo Spielberg, Lucas Prediction

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A few weeks ago, Steven Spielberg and George Lucas said this would happen: multiple big studio flops each costing $150 million and up. This weekend brought us “RIPD” tanking completely, with a three day take of $12.7 million. The movie cost at least $150 million. “Red 2” did $18.5 million. Bruce Willis does not come cheap, and Helen Mirren gets a nice payday since her Oscar. Plus a strong ‘B’ cast and lots of special effects. “Red 2” is a fizzle. “Only God Forgives” with Ryan Gosling only played in 78 theaters. Still, it made about half as much as indie “Fruitvale Station,” which was in half as many theaters (34).

Get the picture?

This is Hollywood’s horror story of summer 2013. And the irony is that an actual horror movie, “The Conjuring,” took in a whopping $41 million. It cost around $25 million. Warner Bros., smarting from big failures like “Gangster Squad,” “Jack the Giant Slayer” and “Pacific Rim” (each in the $200-$250 mil range), took a page from Paramount’s “Paranormal Activity” playbook, and it worked.

Of course, WB has “Man of Steel” to boast about. Superman saved them again.

But we can’t forget “The Lone Ranger” and “After Earth,” big big bombs. Next comes “Elysium,” much rooted for at this point, the last chance to save the summer. For Sony, the next “Spiderman” can’t come fast enough.

Spielberg and Lucas warned us about this in June. Speaking at the opening of a media center, they caused a firestorm by predicting that a handful of failures costing $250 million would cause major changes in Hollywood. Also, charging more for 3D when the actual number of audience goers is less is not going to save the bottom line. This brutal summer isn’t over yet. There will be reverberations well into the rest of the year.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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