Wednesday, June 24, 2026

The Vampires Strike Back: Final “Twilight” Takes in $71 Mil on Friday Night

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“Twilight 3.2” or as I like to call it, “Twilight: Breaking Wind,” took in $71.2 million last night in the good ol’ USA. The final installment in a brilliant marketing scheme now has a total worldwide take of $162 million in just one and a half days.

It was a good night for the box office anyway. “Skyfall” raked in another $12.3 million. Steven Spielberg’s “Lincoln,” an actual film, expanded its theatre count and took in $6.3 million. “Silver Linings Playbook,” another Oscar contender, opened in limited release and sold out its showings. It moves up to 440 theatres on Friday, November 23rd. “Silver Linings” significantly outplayed “Anna Karenina,” which is in the same number of theatres–16.

But “Twilight” remains a phenomenon of inanity. This last bite of the box office wasn’t the biggest opening of the entire series, but it was just a salacious whisper away. The first part of this fourth movie, “Twilight 3.1,” beat it by about $400,000.

The insatiable appetite among tweens for Vampire stories remains an enigma, but the veins just keep on opening. It’s also fascinating that there’s no economy until there is one– for things like this, expensive Apple products, and Taylor Swift merchandise.

Meantime, that insipid couple at the center of this thing continue to generate massive amounts of faux headlines. And the real vampire classic couple (see photo) never had to deal with that!

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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