Saturday, May 23, 2026

“American Idol” Auditions Head to Baton Rouge for More Fake Fireworks

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“American Idol” auditions head to Baton Rouge, Louisiana now, with more fake fireworks planned among the judges. As everyone knows by now, in Charlotte, North Carolina Nicki Minaj picked a fight with Mariah Carey. The news mushroomed into World War III and cast a big spotlight on “Idol” sure to build ratings when the show returns in January.

All of this is planned, dear friends. Back in the day, it was Simon vs. Paula. And whether Simon would leave the show. Or Paula. This is what Simon Fuller and Nigel Lythgoe were so good at: creating huge amounts of contentious publicity designed to attract viewers. You need it in the first few weeks before viewers have favorite singers to root for.

I was discussing this with a Fox TV exec, reminiscing about the PT Barnum days of fake “Idol” publicity. And now, it’s back! Nicki Minaj has been assigned the role of instigator. Mariah Carey is the victim. Who knows what they have planned for Keith Urban? Something wicked this way comes.

Baton Rouge may not be ready for this gumbo.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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