Tuesday, June 2, 2026

“Dark Knight Rises” Will Hit $300 Mil Tonight in the U.S.

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Is “The Dark Knight Rises” a monster hit? It will cross the $300 million mark tonight after 11 days in release. That sounds  like a hit, and it is one. But it’s still running almost $25 million behind “The Dark Knight,” which had $324 mil and change in its pockets by its 11th day. The only reason for this is Aurora, I think, because otherwise this was the most anticipated movie of the year. That–and the Olympics, which are keeping people at home to see events that happened earlier in the day. If the Olympics could be seen in real time, during the day, then people could go out at night to the movies. Of course, no work would get done. And ad rates are higher on TV at night than during the day. Anyway, “TDKR” remains at number 1, and nothing is going to shake it off that position in the near future. Even I’m getting ready to go back and see it again.

This week we get “Total Recall,” a very good comedy called “Celeste and Jesse Forever,” and a not very good something that’s been around for a while called “360” that never coheres into anything. “TDKR” is safe at number 1.

 

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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