Tuesday, July 14, 2026

Katie Holmes: No “Molly” Movie in the Near Future

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Reports of Katie Holmes writing, producing and starring in a movie called “Molly” are extremely premature, I am told. The movie was being set up at Lifetime, but for now it’s on hold and certainly not commencing next month. First US Weekly, then People, reported it “exclusively.” Well, Holmes has a lot on her plate at the moment. And “Molly” was a project that was so undercooked it didn’t exist in any listing, had no producer, and wasn’t ready for anything. Katie, I’m told, is just sitting tight, and “absolutely not” doing anything to encourage former Scientologists to speak out. “They’re just coming out of the woodwork,” says a friend. “She’s just watching it all happen.”

And happen it is–the Scientology leaders must be going crazy. They’ve never had so much adverse publicity at one time. From David Miscavige’s niece to the strange story of missing leader Heber Jentzsch, followed by the weird story that Jentzsch’s son Alexander has died in the last few days–and that his mother, ex Scientologist Karen de la Carriere (strangely enough the LA art dealer for now deceased schlock artist Thomas Kinkade) is speaking out everywhere–it’s become the summer for former sect members to spill their guts spontaneously.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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