Tuesday, May 19, 2026

Tom Cruise’s Bad Week: Divorce, and “Rock of Ages” Sinks At Box Office

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This is not Tom Cruise’s week. If he didn’t have hundreds of millions of dollars, I would feel sorry for him. But back to reality, so to speak: First, Katie Holmes sacked him with a divorce filing. And then his movie that’s out right now, “Rock of Ages,” is DOA at the box office. Last night “ROA” did less than a million bucis–$865,000. That brings its total to $33,047,000. It will be lucky to get to $35 million this weekend. The divorce can’t be good publicity for Cruise, whose career is already a kind of marketing disaster. Other than “Mission Impossible,” his standing at the box office has fallen tremendously. The curious thing here is that he seems totally unaware of the situation. One method of recourse would be to leave Scientology, if he can, renounce it publicly, and go through a total image change. The public would embrace him wildly. But it’s unlikely to happen. It would mean removing his entire family from the religious sect. Meanwhile, his next film, “Reacher,” comes out at Christmas.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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