Tuesday, June 30, 2026

Mad Men: Young & Rubicam Racism Was Even More Recent

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“Mad Men” is back, and I’m elated. A two hour opening episode set on June 1, 1966 brought back everyone except Betty Draper–actress January Jones was on maternity leave. Its central kicker involved race. A bunch of young associates at Young & Rubicam dropped water “balloons” on black civil rights protesters on the sidewalk below them. There’s no ready anecdote of such a thing happening–maybe someone from Y&R will remember such a thing.

But in Peter Georgescu’s memoir, “The Source of Success,” he recalls firing a bunch of young associates for racism not in 1966 but more recently–for forwarding around a racist email. Georgescu, the long time head of Y&R, dismissed them reluctantly. “Mad Men” creator Matt Weiner no doubt got inspiration for his scene opener from this story. And it’s a comment about how little things have changed on Madison Avenue from 1966 to the early 2000s. It also provided a subplot with a last minute kicker that worked like a charm.

Otherwise, “Mad Men” is back to business. Megan danced to Sophia Loren’s kitschy hit, “Zoo Bisou Bisou,” which was perfect. (It’s from the 1960 movie “The Millionairess”–the track was produced by a -pre-Beatles George Martin.) I loved Pete’s sadness at having to move to the suburbs. And what the heck is going on with Lane? Jared Harris is getting a meaty story–where is he spending all his money? A couple of things that don’t quite make sense: Roger sees Joan’s baby, but has little reaction to it. He knows he’s the father, doesn’t he? And the uncomfortable moment for Pete and Peggy with the baby in the room–it just seems odd that their history is never addressed.

Nevertheless, “Mad Men” is very welcome in its return. Having his secrets known doesn’t seem to make Don any more agreeable. And how long before Megan’s tensions at the office boil over into something more–like her exit? What verities we did get out of this episode: that a white carpet is hard to keep clean, a metaphor perhaps.

Anyway, “A Little Kiss” was a good way to bring everyone back after a long absence. There will be enough rough road ahead, I’m sure.

 

http://www.youtube.com/watch?v=qZ4odDli9O4&feature=player_embedded

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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