Friday, June 19, 2026

“Curb” Does Baseball Satire, But No Cheryl

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I just went through the first six episodes of HBO’s “Curb Your Enthusiasm” and realized something: Cheryl, Larry’s now ex wife, has only been in Episode 1, “The Divorce.” (This one involves girl scout cookies, among other things, hilariously.) I miss her! Luckily, Cheryl Hines aka Cheryl David is back tonight and for episodes 7 through 10. It’s just in the nick of time. It looks like the imdb.com was wrong: no Cheryl tonight and maybe not again.

Nevertheless: the episode was excellent, as good as the third one of the season, “Palestinian Chicken,”  which was beyond sublime. Not only did Larry and Rosie O’Donnell fight over Amy Landecker, but the added baseball satire of “juicing” and using Viagra was perfect. Plus, David Canary made a cameo appearance.

There have been great moments this season–I loved Larry’s accidental hero act on the plane to New York, for example. And Michael McKean is terrific as the director who winds up forcing Larry to go to New York for three months–Larry is avoiding doing a charity gig for him. J.B. Smoove is a welcome respite to all of Larry, Jeff and Susie’s mishegos. He made a triumphal arrival in New York; Next week Wanda Sykes returns.

But no Cheryl. Sniff! I guess that ship has sailed.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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