Friday, June 19, 2026

Mel Gibson, Jodie Foster “Beaver” Struggles to Make A Million Dollars

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It’s possible that at this point “The Beaver” won’t make a million bucks domestically. So far it’s taken in less than $700,000. The number of theatres that the Mel Gibson-Jodie Foster calamity is playing in has been reduced now for Memorial Day weekend. On the bright side, according to boxofficemojo.com. “The Beaver” has been a hit in Italy, with $450,000 in ticket sales. I don’t know what this says about the Italians, who I thought were smarter than that. Maybe it’s been a slow spring. Anyway. “The Beaver” cost at least $21 million, not counting prints, publicity, ads, and travel. Not since Kevin Costner’s “The Postman” has money been flushed down the toilet in such an egregious way. From the terrible title (I mean, really, “The Beaver”? Couldn’t they have called it “I’m Your Puppet”? That was a good song) to the whole business of trying to prop up Gibson by exploiting his own personal melodramas, this was a disaster. I guess the producers who put up the money– Jeff Skoll’s Participant Media and a fund out of Abi Dhabi–won’t miss $25 million or so.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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