Friday, June 19, 2026

Spider Man on Broadway Does 100% Biz Over Xmas: PR Sells

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“Spider Man: Turn off the Dark” may be the most controversial Broadway show ever. But it’s also a hit.

The Julie Taymor-Bono & the Edge musical played at 100 % capacity from December 20th to the 26th according to Playbill magazine’s total of Broadway grosses.

Only two other shows played at 100% over the holiday week: “Wicked” and Al Pacino in “The Merchant of Venice.”

“Spider Man” took in just over $944,000. That’s with missed and stopped shows, cast replacements, injured players, and a barrage of attacks led by the New York Post to shut it down.

Are people coming to see if there’s an accident or a disaster? Maybe. but I think not. And word of mouth must better than the Post or other naysayers insist.

The $65 million show will open on February 7th, then spin off productions in places like Las Vegas and London.

Meantime, the shows that took in over $1 million last week included “Wicked” (over $2 mil), “The Lion King” ($1.8 mil), “Elf” ($1.5 mil), ” “Billy Elliot,” “Merchant of Venice,” “Mary Poppins,” “Jersey Boys,” and “The Addams Family.”

And closing news: “Women on the Verge of a Nervous Breakdown,” a truly terrible show, is shutting down on January 2–three weeks early. Good bye and good riddance.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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