Monday, June 22, 2026

“The Tourist” Box Office Take Just About Covers Johnny Depp’s Salary

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“The Tourist” fulfilled its destiny as a bomb this weekend. The movie took in $17 million, just about covering Johnny Depp‘s salary.

Now it has to cover Angelina Jolie‘s payday, plus the other $100 million it took to make the film in exotic locations, plus promotion and prints.

These things happen, of course. But with two huge movie stars, “The Tourist” is a particularly sensitive flop. It means that really neither Johnny nor Angie can “open” a film. And together they’ve done even worse.

Now the goal for Sony/Columbia is to open the film in Europe and beyond and make all their money.

The studio also has to open James L. Brooks‘s “How Do You Know?” with Reese Witherspoon, Jack Nicholson and Paul Rudd this coming Friday. They’ve followed the same disastrous pattern as with “The Tourist”: hide it, keep it away from the press, and spring it on the world. I’m not sure if this will work. How do I know? Just a gut feeling that they haven’t marketed it as a “smart” comedy.

Meantime while several Oscar buzzed movies are doing well out of the gate in limited release– “King’s Speech,” “Black Swan,” “The Fighter”–I am concerned about Danny Boyle’s “127 Hours.” It’s having trouble getting a foothold. See this movie, dear readers. It’s great. You’re missing something special!

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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