Thursday, May 21, 2026

Broadway Gets A Late Summer Gift with “Prince of Broadway” And An A List Premiere

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There is much to love in “Prince of Broadway,” legendary producer-director Hal Prince’s tribute to himself. I mean it: the show is like a late summer gift. It has an overture, nine really sensationally talented performers, classic sets, and music– mostly Sondheim– that is gift-wrapped.

The only nick in the armor: there’s not much of a story. Prince’s story remains undeveloped despite all nine actors giving parts of his life. But that doesn’t matter. He’s 89, and Hal Prince has done more for Broadway, theatre, arts and culture than any 50 people.

All you need to know is that Tony Yazbeck, who’s Broadway’s stealth secret weapon, has dance number (choreographed by Susan Stroman) singing “The Right Girl” from “Follies” that literally channels Gene Kelly. This man needs his own show and a Tony Award ASAP.  He should be a Star already. Let’s get going.

Chuck Cooper– who the heck is he? He’s been in 14 Broadway shows over 20 or 30 years, all flops. Here he is, an overnight sensation. He sings– as Tevye– “If I Were a Rich Man” from “Fiddler” and does a “Sweeney Todd” with the amazing Karen Ziemba (who’s a delicious Mrs. Lovett) both of which left the audience cheering.

In each case I thought, ok, revive these shows with Chuck Cooper. I asked around: the insiders know him.  Someone, do something. Yes, he’s a black Tevye. He was effortlessly entertaining.

Emily Skinner fought off the Elaine Stritch cloud hanging over our heads and wrestled “Ladies Who Lunch” to the ground. She won. Elaine is smiling in heaven.

The rest of the cast– Brandon Uranowitz, Janet Dacal, Bryonha Marie Parham, Kaley Ann Voorhees– are excellent. Michael Xavier, coming off a hit run in “Sunset Boulevard,” is phenomenal. Everyone has a showstopper.

I learned a couple of things: Andrew Lloyd Webber, unlike Stephen Sondheim, does not age well. “Sweeney Todd” seems like Handel’s “Messiah” compared to “Phantom of the Opera.” Also, famous actors who originated roles they became famous for aren’t that excited to see new people try them out. Just sayin’…

The audience tonight was a Who’s Who and a What’s What: Carol Burnett, Jason Alexander, Raul Esparza, Tommy Tune, Len Cariou, Joel Grey, John Patrick Shanley, Billy Porter. Wait– Carol Burnett! People were kvelling.

“Prince of Broadway” runs through October at Manhattan Theater Club. Get over and see it. This is one gift you can accept happily.

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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